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3D Printing has given artists a new method of turning their ideas into physical objects.
This is due to the layered construction method that 3D Printing utilizes to build objects, and the ability to accurately place building materials anywhere within each of those layers.
It creates the following advantages:
With most traditional manufacturing methods, physical cutting tools are used to create these characteristics. But with 3D printing, the tools used are light waves and nozzles. Both of which, can be emitted or made at far smaller sizes than the traditional tools. Even down to the nanoscale.
This allows for 3D printed art with shapes and features that are much finer and more intricate than before.
Whether they were generated algorithmically, digitally sculpted, parametrically modelled or 3D scanned, many designs that artists were not able to manufacture previously, are now possible.
3D printed art can be printed with almost any of these characteristics that an artist may require. The range of 3D printing materials is already vast and growing rapidly. Millions of colours are available in high definition and their placement is digitally controlled. Completely transparent resins are common. Even glass is now available. And the hardness and flexibility can be adjusted to any level required.
By adding each individual part of each individual layer, 3D printing allows artists to control precisely what material and characteristic they require for each area of the shape. One can create multi-material works of art with varying levels of resolution, density, colour, transparency, hardness and flexibility, all within the same 3d printed art work.
With 3D printing, the entire shape is built up (or down) from one side to the other. With control of every single part in between, the internal material can be placed in any desired amount or arrangement. Resulting in shapes of 3D printed art that can go from completely hollow, up to solid, and any density in between.
Especially unique to 3D printing, are internal lattice structures which can be added to hollow objects. These can aid artists with physical requirements like strength, flexibility or temperature dissipation.
The relatively diverse capabilities of 3D printers allows for art works that previously required multiple manufacturing processes, to be accomplished all in a single 3D print. Consider some example cases:
Parts that required painting after manufacture, can now just be printed in colour.
A hard part that required softer sections to be attached after its manufacture, can now just be printed with all the hard and softer parts in a single print.
A molded shape that required additional holes or trimming after being cast, can now just be printed with all the required features.
Or making a part with a highly detailed section, that requires a separate and more accurate machine to add it afterwards.
3D printed art can all now be printed on a single machine, and in a single print. Which saves the artist time and the cost of requiring multiple machines.
Before 3D printing, each traditional method of manufacture had its own constraints that hindered the artists design process and reduced the availability of shapes. Whether it was a cutter or a mold, each tool restricted the creation of shapes in some way.
But with 3D printing, because we can accurately place and bond the newly added building material in any location we desire, it is now possible to create almost any shape of 3D printed art that can be imagined.
Depending on the complexity of the shape, 3D printing is generally faster than machining because there are less setup requirements, no tool changes or part re-orientations and less mess. And compared with molding, a new mold would need to be made every time the design is changed. This is much slower than 3D printing, which is able to start building the updated design immediately.
Additionally, artists can print multiple parts or versions simultaneously.
Although freshly 3D printed art works generally require some post-processing steps like cleaning, cutting or curing, the faster build times usually make up for this additional time.
Traditional manufacturing methods like machining, require that a block of material be trimmed away, leaving the desired shape behind (Subtractive Manufacturing). This means that the material that was removed, is wasted. With 3D printing, the material used to construct the part is usually the only material used in the manufacturing of the part (Additive Manufacturing). Except for 3D printing methods where disposable support structures are required.
For other traditional methods like molding, casting, extruding & vacuum forming, molds need to be created and usually replaced. Unlike 3D printing where no molds are required.
An additional benefit with 3D printed art, is the ability to rapidly print prototypes to test new designs with. This allows artists to identify design flaws before creating entire molds that could be wasted if a design change needs to be made. Which is often the case.
Below is some of the best 3D Printed Art from around the world.
In order to examine the relationship between the simulated events that Gever creates and their physical manifestation, this sculpture was created from a particle-based fluid algorithm to simulate a natural occurrence.
3D Printed with Multijet Resin in Germany
Steve likes the symbolism of skulls. "It is so universal, you cannot tell if it was a boy or a girl or if it was white, African or Chinese person. We are all the same under it all!"
3D Printed with Nylon SLS in Belgium
Inspired by Death Masks from ancient times, where they were used to guide the soul from death to a new state of life. Believed to strengthen the spirit of the deceased and guard their soul from evil spirits on their way to the afterword. The internal structures revealed by the interplay of light, reference the distribution of the martyr’s last breath.
3D Printed with Multijet Resin in USA
Nick used imagery of human organs that he found in medical manuals as construction materials to create an organic form, a larynx (or voice box) 'gone wild'. Though imaginary, AGRIEBORZ seems to retain some familiarity due to its visual connection to human organs, muscles, nerves, etc. Any coherent organization or structure, however, is lacking. The image becomes ungraspable, hovering in a virtual, potential or science-fictional world.
3D Printed with Nylon SLS in Belgium
Sphere Pop captures the moment of a balloon bursting. Exploring the moment between the mundane and unexpected. The powerful and unpredictable emotion of surprise.
3D Printed with Multijet Resin in Germany
The Man-Nahāta models are informed by and serve as urban studies for Megalopolis, a forthcoming film by Francis Ford Coppola about an architect seeking to rebuild New York City as a utopia in the wake of disaster. Each model depicts future scenarios.
3D Printed with Multijet Resin in USA
A piece of ocean is frozen in time. Influenced by American Literature Professor Albert Gelpi who said that, “The physical conformation and psychological effect of the sublime landscape dwarfs the physical presence of the beholder so overwhelmingly that he or she feels psychologically reduced to the point of annihilation or absorption into the awesomeness of what he or she beholds.”
3D Printed with Multijet Resin in Germany
A series of sculptures that was produced for their “Growing Objects” exhibition at Stonybrook University. This flower-like form resulted from the algorithmic growth of a cone grown differentially towards its edge in a noise field.
3D Printed with Nylon SLS in USA
Created for the launch of Dom Perignon's Limited Edition 2004 Vintage. Cocoonase refers to the butterfly softening its cocoon shell before it goes into the next stage of metamorphosis and is inspired by the importance of time in crafting the Dom Pérignon vintage; experienced timing needed to pick the best grapes at their peak of perfection, versus the wine’s many patient years of active maturation.
3D Printed with SLA Resin in Germany
Fragile was made for the Faberge Bigg Egg Hunt, and explores the delicate and the impossible. The project is inspired by the convergence between nature and technology which challenges the aesthetics and constructive methods of human structures and objects.
3D Printed with Plastic FDM in UK
Depicting the hybridisation process of a genetically manipulated variety of strawberry carried to the extreme. The result of an exchange between Nick Ervinck and Dr APM Ton den Nijs, a scientist at the Plant Breeding Department of Wageningen University. Using the plant’s own DNA, they developed a new patented strawberry variety that is resistant to fruit rot, requires fewer pesticides and has a longer shelf life than a natural one.
3D Printed with Nylon SLS in Belgium
Wall sculptures that are a fusion of geometric and organic forms inspired by nature.
3D Printed with Plastic FDM in Philippines
Inspired by traditional Native American, Latin, African, & Asian headdresses & masks, this piece celebrates the symbolism & ceremony of human adornment. Revealing the wearer’s identity, the face mask hangs in position as a floating bodice symbolizing the freedom of the spirit from the body.
3D Printed with Nylon SLS in USA
Artists Rob and Nick Carter have created a physical 3D version of Van Gogh’s famous "Sunflowers."
3D Printed with Multijet Resin in UK
Exploring Melanin as a functional material, these printed channels illustrate how the process for melanin formation can be embodied inside a product. Each Totem is initiated with the introduction of tyrosinase, an light-sensitive enzyme that initiated melanin production. This leads to color formation that continues over the span of a day, deepening as the sun reaches its zenith and easing into lighter hues as the sun sets.
3D Printed with Multijet Resin in USA
Inspired by birds, this fashion accessory reflects our spirit of freedom, ready to fly away, but never far from our hearts, reminding us of our unique relationship.
3D Printed with Nylon SLS in France
Descendants addresses the increasing possibility of superior artificial intelligence and how future synthetic bodies might look and feel. Combining both human form and abstract futuristic lattices, Widrig combined color with rigid and flexible materials to create the fluid, human-like characteristics, whilst also portraying an alien presence.
3D Printed with Multijet Resin in UK
By injecting microbes into the 58 meters of internal fluid channels, Mushtari was designed to create a relationship between the most primitive and the most sophisticated life forms. The wearable functions as a microbial factory that uses synthetic biology to convert sunlight into useful products for the wearer.
3D Printed with Multijet Resin in USA
This is a digital sculpture installation investigating the co-existence of synthetic and organic nature. Dew drops made from clear resin lift off the surface, molting into amorphous forms that transition incrementally into leaves, depicting an imagined evolution of synthetic materials replicating and becoming nature.
3D Printed with SLA Resin in USA
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